Compose Variations on a Theme by Pratten
Compose Variations on a Theme by Pratten
If there's one thing I've learned about 19th century guitarists, it's that they were creative. They composed and improvised, and left us many exercises and tools for doing this ourselves, which hopefully by now you've gotten at least a little bit acquainted with (arpeggios, ornaments, harmony, etc.).
So I attempted to inhabit this mindset and composed a variation on Pratten's Theme Original, which was one of the pieces I sent you last time.
Here is the score:
Here is my variation. Sorry, no fingerings - I believe that the ideal 19th century guitarist would know their harmony and fretboard so well that they didn't need to rely on fingerings.
Pratten barely gave any fingerings in her example above, plus you have the video below to watch.
I play my variation at the repeat of each section in the video below.
I invite you to compose a variation - I'll record any that are sent to me (if you don't mind)! I'd also be happy to give feedback on your variation if you would like it.
I think it would be really wonderful to create an entire Theme and Variations composed by all of us as a collective. This is a very 19th century thing to do!
Some of you might not have composed much or any before. So you might be wondering " just how might I do such a thing?"
Here's my advice:
- Use different arpeggio patterns whenever possible.
*Even Giuliani's 120 will do fine!
* You can find more arpeggios in all three method books that I've sent you so far.
*You can create your own arpeggios
- Use some of the ornaments found in the method books I've sent so far.
*These mainly include trills, turns, and appoggiaturas.
*You will find these in both of Pelzer's methods, and I featured them in the highlights section.
- Formulate your ideas by improvising
Here is Pratten's method for composing, in her own words:
"I simply take up my guitar and out of the tips of my fingers tumble out the sounds on the strings... and then I play it over and over again until my brain retains it; then sketch it down... Then I leave it, and return to it and put it 'ship-shape'. Then, with my 'little bricks' collected, I build up a romance or story."
If you just follow one, two, or all of these steps, then you'll be on the path to composing your very own variation.
It doesn't have to be fancy - 19th century composers often used very simple means to create their variations. Just some simple and basic arpeggios + ornaments here and there will do the trick!
If you want to learn more about this process, I will soon be offering a course called Play Like a 19th Century Guitarist. In that course I will walk you through performance practice topics in depth, teach you how to apply it to the pieces you're working on, and guide you through composing and improvising.
It's a one of a kind course, and I'm very excited to get it started! More details will come on Saturday evening (US time).
If you don't feel inclined to compose, just please listen to my variation and think about what tools I used to compose it with. They're mostly tools drawn from the three method books I've sent you so far. Just a quick think will do great!
In any case, I hope this gets your creative juices flowing.
Classical music needs more creativity today, and I hope you can join me in promoting this mindset to others!!
Happy plucking and/or composing,
About Daniel Nistico - the Resourceful Guitarist
The Resourceful Guitarist aims to help make you a resourceful guitarist by giving you easy access to free resources, pieces, and information that isn't easily available but can have powerful impacts on your playing.
I also aim to promote guitar music that is obscure today, but in my opinion, deserves much greater attention and recognition. This is stuff that you could easily spend hundreds, or even thousands of dollars on - scores, method books, recordings, lessons, etc.
The work I do is to search thoroughly for exceptional resources and promote them via writing, recordings, and videos.
I am truly passionate about this cause, so I keep this service free to you and have no ads. I pour many hours each day into this - in researching, practicing, recording, producing videos, making booklets, translating, and writing.
If you find value in what I do and would like to donate to this cause, then please consider becoming a patron and giving a recurring donation each month. These funds will assist me in website maintenance, video production, audio recordings, access to libraries, and more! Ultimately, you will be part of the mission to spread these old guitar treasures to people around the world. You will help to expand the guitar's cultural borders and ensure that its important history doesn't lay dormant.
Daniel Nistico is available for private guitar instruction in Melbourne.
Please call him on 0455 274 744 for more information and to arrange a free trial lesson, or
Click here for information on Daniel's Skype lessons